In the "Magnetic Garden A/V" the reciprocal compositional imaginations, devoid of subsidiary intentions of complement, are accomplished in the total autonomy of each, in common semantic objectives but without any thematic agreement.

The musical composition offers to the visual imagination completely abstract compositions and the method in the compositional relationship provides first, the realization of the musical part, then the suggestions evoked by are the basis for the subsequent visual realization.

The compositions, both musical and visual, although consistent with their design system, in live performances have expressive variables induced by randomness and improvisation.