“subassemblies” is an audiovisual concert which pursues the relationship between nature and human-made through a perspective of architectural scale.
Main sources of this piece are 3d data captured by laser scanning, and filmed footages at human-made architecture, ruins and nature, and those are distorted and reconstructed into each modules as subassemblies to create renewed timeline with layers of order and disorder while exposing force of both nature and art.
Ruins, nature-invaded buildings and architectures in disrepair are superimposed and rebuild dynamically, and those unusualities rendered in multi-layered depth extends the perception of floating not only between nature and human-made, but also between abstract and concrete phenomena through its transition, destruction and renaturation. The motions such as cancellation of physical law, hybrid of natural and artificial components, and transposition of entropy and negentropy enhance those unusualities.