The exploration into the synaesthetic world continues. This time I am collaborating with Bromic, an Italian composer who mixes electro tracks and acid sounds.

The work I propose consists of procedurally realised three-dimensional elements, each corresponding to a specific sound. In this way it was possible to link the different elements to the tracks of the individual sounds separately, letting the music actually guide the moving composition.

Six musical tracks are analysed, each with its own specificity in terms of colours, elements that determine it, shapes, movements, dimensions etc.

Once again, my intention is to bring non-synesthetic people closer to the perceptual interferences of individuals characterised by this bizarre neuronal phenomenon.