Oktopus Creatura is the fusion of both personal projects of Ricardo Tapia’s visual development and Tomás Araya’s music production, who presents “SINESTESIA” Audiovisual Live Performance.
The visual language is articulated upon abstract concepts, where composition creates a speech that could be assimilated by different audiecnces. With a personal yet universal narrative, an inmersive context is created through audio-responsive patterns and live auto-generative motion graphics improvisation. All completely generated in real time.
The music approach leads to a temporal crossover, between ancestral tribal rituals...Oktopus Creatura is the fusion of both personal projects of Ricardo Tapia’s visual development and Tomás Araya’s music production, who presents “SINESTESIA” Audiovisual Live Performance.
The visual language is articulated upon abstract concepts, where composition creates a speech that could be assimilated by different audiecnces. With a personal yet universal narrative, an inmersive context is created through audio-responsive patterns and live auto-generative motion graphics improvisation. All completely generated in real time.
The music approach leads to a temporal crossover, between ancestral tribal rituals and present urban dynamics, where aboriginal percusive elements like stone, wood, membranes, and winds meets contemporary techologic sounds like concrete, steel, machines and glitchs.
The visual language is articulated upon abstract concepts, where composition creates a speech that could be assimilated by different audiecnces. With a personal yet universal narrative, an inmersive context is created through audio-responsive patterns and live auto-generative motion graphics improvisation. All completely generated in real time.
The music approach leads to a temporal crossover, between ancestral tribal rituals...Oktopus Creatura is the fusion of both personal projects of Ricardo Tapia’s visual development and Tomás Araya’s music production, who presents “SINESTESIA” Audiovisual Live Performance.
The visual language is articulated upon abstract concepts, where composition creates a speech that could be assimilated by different audiecnces. With a personal yet universal narrative, an inmersive context is created through audio-responsive patterns and live auto-generative motion graphics improvisation. All completely generated in real time.
The music approach leads to a temporal crossover, between ancestral tribal rituals and present urban dynamics, where aboriginal percusive elements like stone, wood, membranes, and winds meets contemporary techologic sounds like concrete, steel, machines and glitchs.
Performances (1)
