Stevan Lung is a video/live cinema artist. His professional and life trajectory has led him from mathematics and computer programming to postproduction and broadcasting industry; from Belgrade to London and back to Belgrade again; from video art to Live-cinema; from directing video for theatre to live audio-visual improvisation.
Through the possibilities of the live cinematic narrative, language, method and presentation, he is exploring the ways of seamlessly integrating/coalescing video with other means of artistic expression.
In his cinematic style, Stevan is...Stevan Lung is a video/live cinema artist. His professional and life trajectory has led him from mathematics and computer programming to postproduction and broadcasting industry; from Belgrade to London and back to Belgrade again; from video art to Live-cinema; from directing video for theatre to live audio-visual improvisation.
Through the possibilities of the live cinematic narrative, language, method and presentation, he is exploring the ways of seamlessly integrating/coalescing video with other means of artistic expression.
In his cinematic style, Stevan is focused on bringing to the fore the emotional texture of the story, assuming a more poetic approach to storytelling within the process. He favours a live performance, with its spontaneity and its immediate interaction with the audience, thus bringing the process of filmmaking closer to the audience.
Stevan Lung collaborates with the wide range of electronic music composers and improvisational music instrumentalists. Spanning over the four years, he worked as a visual artist with A2 Live Art company (Israel/UK) on the The Future of Death show, performed in ICA in London, Ljubljana, Dortmund and Lancaster. In addition to numerous live performances (Beton 7 in Athens, Exit festival in Novi Sad, Camden’s People Theatre in London…), he is a co-author of the improvisational multimedia theatre performance - Theatre of Memory and a film Cybercinematography (made from archive material of old Belgrade). His video-art work Shadowtracing was exhibited at the first Balkan Art Fluxion Exhibition in Amsterdam.
Since 2008, lives and works in Belgrade.
Through the possibilities of the live cinematic narrative, language, method and presentation, he is exploring the ways of seamlessly integrating/coalescing video with other means of artistic expression.
In his cinematic style, Stevan is...Stevan Lung is a video/live cinema artist. His professional and life trajectory has led him from mathematics and computer programming to postproduction and broadcasting industry; from Belgrade to London and back to Belgrade again; from video art to Live-cinema; from directing video for theatre to live audio-visual improvisation.
Through the possibilities of the live cinematic narrative, language, method and presentation, he is exploring the ways of seamlessly integrating/coalescing video with other means of artistic expression.
In his cinematic style, Stevan is focused on bringing to the fore the emotional texture of the story, assuming a more poetic approach to storytelling within the process. He favours a live performance, with its spontaneity and its immediate interaction with the audience, thus bringing the process of filmmaking closer to the audience.
Stevan Lung collaborates with the wide range of electronic music composers and improvisational music instrumentalists. Spanning over the four years, he worked as a visual artist with A2 Live Art company (Israel/UK) on the The Future of Death show, performed in ICA in London, Ljubljana, Dortmund and Lancaster. In addition to numerous live performances (Beton 7 in Athens, Exit festival in Novi Sad, Camden’s People Theatre in London…), he is a co-author of the improvisational multimedia theatre performance - Theatre of Memory and a film Cybercinematography (made from archive material of old Belgrade). His video-art work Shadowtracing was exhibited at the first Balkan Art Fluxion Exhibition in Amsterdam.
Since 2008, lives and works in Belgrade.
Performances (1)
Videos (1)
