About
http://www.l-experiments-digital.com/portfolios/x-peri-mental/
This performance will consist in live video making (vjing by Dorianne Wotton) and live music making (by Exomène).
X-Peri-Mental is meant to be a live act, so l:ed always engages and interacts with its audience especially through video capture.
The crowd directly shape our performance because we choose our sounds and images according to its reaction. That is why we face the audience and we use colorful and interactive performances controllers.
But the crowd in itself is also a performance controller : the movements, the color of the clothes... everything is used to interact with our images and sounds thanks to video capture.
Riders: technical support, material needed and owned:
Regarding the live elements, we would face the audience while playing live. Most of the music will be made through audiocubes (some kind of a visual theremin see an example here: https://vimeo.com/61556963 ).
Besides audiocubes, we will bring all the required musical instruments for this kind of set. We will also bring : computers, midi controllers, audio interface, stands, cables.
We try to be as autonomous as possible. But we will need a sound system, a projector and a screen though.
--------
-----
l:ed is a group of artists currently composed by the picture slayer Dorianne Wotton and the soundsmith Exomène.
l:ed as in « l : Experiments in Digital »
l:ed as in « l : Exomène & Dorianne Wotton »
l:ed as in « l : Æsthetic of Desolation »
Along with their own works, the two partners Dorianne Wotton and Exomène are collaborating since 2004 around the concept of « æsthetic of desolation » their work extends to the areas of photo, music, video, digital arts and multimedia performance.
Their more recent works are « Synæsizer » (digital art installation), « Glitch-O-matic » (digital art installation) and « X-Peri-Mental » (audiovisual live act)
This performance will consist in live video making (vjing by Dorianne Wotton) and live music making (by Exomène).
X-Peri-Mental is meant to be a live act, so l:ed always engages and interacts with its audience especially through video capture.
The crowd directly shape our performance because we choose our sounds and images according to its reaction. That is why we face the audience and we use colorful and interactive performances controllers.
But the crowd in itself is also a performance controller : the movements, the color of the clothes... everything is used to interact with our images and sounds thanks to video capture.
Riders: technical support, material needed and owned:
Regarding the live elements, we would face the audience while playing live. Most of the music will be made through audiocubes (some kind of a visual theremin see an example here: https://vimeo.com/61556963 ).
Besides audiocubes, we will bring all the required musical instruments for this kind of set. We will also bring : computers, midi controllers, audio interface, stands, cables.
We try to be as autonomous as possible. But we will need a sound system, a projector and a screen though.
--------
-----
l:ed is a group of artists currently composed by the picture slayer Dorianne Wotton and the soundsmith Exomène.
l:ed as in « l : Experiments in Digital »
l:ed as in « l : Exomène & Dorianne Wotton »
l:ed as in « l : Æsthetic of Desolation »
Along with their own works, the two partners Dorianne Wotton and Exomène are collaborating since 2004 around the concept of « æsthetic of desolation » their work extends to the areas of photo, music, video, digital arts and multimedia performance.
Their more recent works are « Synæsizer » (digital art installation), « Glitch-O-matic » (digital art installation) and « X-Peri-Mental » (audiovisual live act)
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Categories
- PERFORMANCES
About
http://www.l-experiments-digital.com/portfolios/x-peri-mental/
This performance will consist in live video making (vjing by Dorianne Wotton) and live music making (by Exomène).
X-Peri-Mental is meant to be a live act, so l:ed always engages and interacts with its audience especially through video capture.
The crowd directly shape our performance because we choose our sounds and images according to its reaction. That is why we face the audience and we use colorful and interactive performances controllers.
But the crowd in itself is also a performance controller : the movements, the color of the clothes... everything is used to interact with our images and sounds thanks to video capture.
Riders: technical support, material needed and owned:
Regarding the live elements, we would face the audience while playing live. Most of the music will be made through audiocubes (some kind of a visual theremin see an example here: https://vimeo.com/61556963 ).
Besides audiocubes, we will bring all the required musical instruments for this kind of set. We will also bring : computers, midi controllers, audio interface, stands, cables.
We try to be as autonomous as possible. But we will need a sound system, a projector and a screen though.
--------
-----
l:ed is a group of artists currently composed by the picture slayer Dorianne Wotton and the soundsmith Exomène.
l:ed as in « l : Experiments in Digital »
l:ed as in « l : Exomène & Dorianne Wotton »
l:ed as in « l : Æsthetic of Desolation »
Along with their own works, the two partners Dorianne Wotton and Exomène are collaborating since 2004 around the concept of « æsthetic of desolation » their work extends to the areas of photo, music, video, digital arts and multimedia performance.
Their more recent works are « Synæsizer » (digital art installation), « Glitch-O-matic » (digital art installation) and « X-Peri-Mental » (audiovisual live act)
This performance will consist in live video making (vjing by Dorianne Wotton) and live music making (by Exomène).
X-Peri-Mental is meant to be a live act, so l:ed always engages and interacts with its audience especially through video capture.
The crowd directly shape our performance because we choose our sounds and images according to its reaction. That is why we face the audience and we use colorful and interactive performances controllers.
But the crowd in itself is also a performance controller : the movements, the color of the clothes... everything is used to interact with our images and sounds thanks to video capture.
Riders: technical support, material needed and owned:
Regarding the live elements, we would face the audience while playing live. Most of the music will be made through audiocubes (some kind of a visual theremin see an example here: https://vimeo.com/61556963 ).
Besides audiocubes, we will bring all the required musical instruments for this kind of set. We will also bring : computers, midi controllers, audio interface, stands, cables.
We try to be as autonomous as possible. But we will need a sound system, a projector and a screen though.
--------
-----
l:ed is a group of artists currently composed by the picture slayer Dorianne Wotton and the soundsmith Exomène.
l:ed as in « l : Experiments in Digital »
l:ed as in « l : Exomène & Dorianne Wotton »
l:ed as in « l : Æsthetic of Desolation »
Along with their own works, the two partners Dorianne Wotton and Exomène are collaborating since 2004 around the concept of « æsthetic of desolation » their work extends to the areas of photo, music, video, digital arts and multimedia performance.
Their more recent works are « Synæsizer » (digital art installation), « Glitch-O-matic » (digital art installation) and « X-Peri-Mental » (audiovisual live act)
Author
France Paris
Performances
X-Peri-Mental
L:ED
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